The house was built in the 16th century by Joanot de Caulelles. The doorway is a semicircular archway and communicates with the entrance, which has a small staircase on the right with a little studio doorway. A diminished arch leads to the patio. The Caulelles coat of arms is engraved into the capitals. At the back of the patio, the ceramic mural by the artist Castaldo is a striking feature.

The path we have taken is known by the name of "Dalt Murada", and from here we can see what were once the boundaries of the Roman city which stretched from the palace of La Almudaina to the eastern end of the Episcopal palace. On the southern façade of this building, looking towards the sea, we can see a walkway with Modernist-style guard posts which are attributed to the famous Catalan architect Antoni Gaudí, as well as the iron railings of some windows. The wall we can see at the foot of the cathedral is the old Roman city wall, which was transformed during the Middle Ages and totally rebuilt over the course of the centuries. In fact, the whole sea front of the fortified city was reconstructed in the 18th century with the new city wall on top of the one we can see now, built on top of land reclaimed from the sea. The highlights of this structure are the guard posts that have a Baroque form. The area known as ses Voltes is a former barracks completed in 1802 and refurbished by the architects Elies Torres and José A. Martínez Lapeña between 1983 and 1991, for leisure and cultural use.

The calle de la Portella is one of the most magnificent streets in Palma, where some of the most emblematic mansions in the city can be found. From the 17th century there is the outstanding Can Formiguera, with a splendid balcony overlooking the street and the coat of arms on the corner displaying the arms of Ramon Burgues-Safortesa y Fuster, the count of Formiguera, a legendary figure in the history of Mallorca who is known by the name of "Comte Mal". Opposite we find the ancient lodgings of the Carthusians of Valldemossa in Palma, which following the confiscation of church property fell into private hands and is known as Cal Comte d'Espanya. The building was reconstructed in the 18th century and contains a beautiful Baroque courtyard. In the niche of the doorway we can see the image of St Bruno. Halfway along the street there are two large historic houses with Neo-Gothic features. The most significant is Can Espanya-Serra, which has an important late 19th century courtyard. In all of these buildings we can see the layout of the Mallorcan noble mansion which, generally speaking, tends to retain the great, traditionally Gothic, semicircular doorway, the studio floor, the balcony on the piano nobile and the rows of windows or columns of the attic or upper porxo. Lastly, there are the wonderful eaves protruding over the street and helping to protect the wall of the façade. On the left, if we go down towards the city wall, where an old mansion once stood, we come to the museum dedicated to the Catalan painter Joaquim Torrents Lladó (1946-1993), exhibiting his life and works. Further on, on Dalt Murada, we can see the large building of Ca la Torre (an abbreviation of Cal Marquès de la Torre), a mansion built in the early 18th century and an early example of the sober tone of Mallorcan noble architecture; its courtyard is integrated into the medieval walls.

The building is from the XVII century, and has a courtyard characterized by the mixture of elements from different periods: Gothic staircase, octagonal pillars of Gothic origin that support segmental arches, gallery of the XIX century. The facade has three floors of elevation, with a semicircular arched portal and another portal on the right. On the second floor there are two balconies and a balcony window and, in the porch, small octagonal pillars. The entrance has a beamed roof; on the left, above a small staircase, there is a studio doorway with a rounded arch. To the right, there is a lintel doorway. A segmental arch communicates with the courtyard. This one, paved, shows the medieval staircase on the right and conserves a cistern neck of octagonal section, located under the stairway palate.

We are now in another symbolic street of the old quarter, where there is a large number of mansions, most of which have been converted. The best-preserved building is Can Olesa, one of the most famous mansions in Palma. The façade still has an early wall, dating back to the 16th century, with Renaissance windows displaying the coats of arms of the Descós family. The current house is the result of renovation work at the end of the 17th century, arranged around a magnificent central courtyard. This courtyard is one of the earliest examples of the Mallorcan Baroque patio, with its characteristic columns, extraordinarily low arches and a staircase crowned by a gallery of three arches. This house is one of the few in the city still boasting its original period interior. It was declared a Historical and Artistic Monument in 1973.

C/ Sant Roc, 4. The Estudio General Luliano is a teaching institution founded in the 15th century, which subsequently, in the 17th century, became the Luliana de Mallorca University. After various changes, the current institution was created in 1951 to promote the culture of Mallorca and university studies. This institution is now used as a language school and for other teaching and cultural activities. The present-day building, in a Regionalist style, is the result of reconstruction in the 1950s, by the architect Gabriel Alomar. Some of the coats of arms and Gothic and Renaissance capitals survive from the ancient building and have been incorporated into the current building.

The Capocorb Vell complex consists of a nucleus of three circular and two square talayots, as well as several surrounding constructions and a series of talayots and other types of buildings on its periphery. The Talayotic people were ungathered and only archaeology can provide data about their life. This complex was studied by the archaeologists L. Ch. Watelin, French and Albert Mayr, German, although the first scientific excavations were carried out in the decade of 1910-20 by Josep Colominas Roca under the patronage of the distinguished Hispanic prehistorian Luis Pericot. Capocorb Vell is unique in the western Mediterranean and by Government Decree dated June 3, 1931 was declared a Historic-Artistic Monument.

In the seventeenth and eighteenth century this house was owned by the Binimelis and Ripoll families. In the late nineteenth century the house was owned by Gabriel Verd i Reure. Catalina Verd i Mayol de Bàlitx married Pere Morell i Verd and their heirs sold the house to the Balearic Government; nowadays it houses the Department of Tourism. Entry to the courtyard is through a large segmental arch, with marble pilasters and Ionic style capitals. To the right is the staircase, with iron railings with flat balusters. On the first floor there is a gallery with an arch and Baroque balusters.

Son Fornés archaeological site is located at 2,5km from the village of Montuïri (Ma-3200). The first excavation was undertaken in 1975. Since that year, and until 2011, a further fourteen archaeological campaigns have documented three periods: Talayotic, Postalayotic and Roman periods. All detailed information regarding the archaeological site can be found at Son Fornés Arqueològic Museum, a monographic museum located in a mill called 'l'en Fraret', in the village of Montuïri located in Ma-3220 road connecting the town with Sant Joan.

The construction of the current church began in 1691. The works lasted until 1864 and included successive reforms and extensions. The parish church is devoted to Saint Peter. A double flight of stairs leads to the main door. The door is furnished with an architrave, fluted jambs and an entablature bearing the date 1738. The pediment above the entablature has a medallion holding a relief of Saint Peter. The church has a side door that opens to the square. The door is furnished with jambs in the shape of round pilasters with rings on the lower section. It has a pointed arch. The tympanum has the coat of arms of Sencelles bearing the date of 1707 on the right and a coat of arms with the relief of a tree on the left. A square bell tower stands on the right of the side door. The cornice is surmounted by a balustrade. From this the tower rises octagonal and is crowned by a pinnacle or pyramid spire. Inside, the church is formed by a single nave covered by a barrel vault with smaller vaults giving light to the church. It is divided into three sections. It has six side chapels on each side, a choir and a trapezoidal apse.